Rose of Nevada considers the miraculous reappearance of a shipping boat that was lost at sea 30 years ago. Yet Jenkin’s excavation project feels like it’s been landed at the dock another 20 years before that, with grainy 16mm images that bear a close textural resemblance to the Cornwall of Sam Peckinpah’s 1971 thriller Straw Dogs or the fictional Scottish “Summerisle” of the 1973 cult classic The Wicker Man. While Rose of Nevada counts as a relatively more conventional effort than the previous entries in the trilogy, Jenkin still operates in abstractions, using dense soundscapes and detailed imagery to evoke the uncanny rather than walk the audience through a more conventional narrative. He’s a man out of time, making movies that are now instantly recognizable because of it.  … Jenkin does his version of surrendering to commercial concerns by casting two recognizable young British actors, George MacKay and Callum Turner, as the crew members of a ship that doubles as a time-traveling vessel.-The Reveal