Fincher has likened The Social Network’s emotional trajectory to Citizen Kane’s, in that its protagonist becomes simultaneously more successful and more friendless. …The Trent Reznor–Atticus Ross score is in some Eno-airport no-man’s-land of its own. Everything is disconnected from the get-go—there’s no humanity to lose.-New York Magazine

“…an unlikely thriller that makes business ethics, class distinctions and intellectual-property arguments sexy”– NPR